THE WATER MARGIN 1972 LU ZHISEN MOVIE

the question that SHOULD be asked is if wearing makeup is feminist action. this kind of conversation is redundant because in the end, it doesnt matter. if i take my example of makeup again, theres a lot of discourse around whether you can be a 'feminist' and wear makeup. when i say feminism isnt an identity i mean that there is no 'feminist' without feminist action. its an intellectual dick measuring contest for white women where no actual action is discussed or done. people like bell hooks and patricia h collins talk a lot about how black feminism has always centered around mobility whereas, especially in academic setting, white mainstream feminism was always about 'choice'. there WERE efforts, most of these led by women of colour. there ARE feminist movements that are centered around working class women, the image we have of feminism as a white woman's issue around sexual freedom is exactly what i mean when i say white women commodified it. racism and capitalism and anti-semitism etc etc werent just 'fanciful concoctions for the bored rich mind' they affect people of ALL classes. first of all i think its very reductive of black and immigrant realities in particular to act like there is no racism within working class/poor communities. Okay i see where you're coming from and i agree with it to a certain extent but. That sister suffragette number in Mary Poppins? Yeah, that best summarizes what IвЂ™m trying to say. вЂњFeminismвЂќ is just suddenly a bunch of rich women realizing that their ideal of a perfect life is actually mildly restricting for them - and they must! show! theyвЂ™re! not! gonna! take it! anymooooore! Like. Think of beauty: only rich women are allowed to cultivate physical beauty and present it as an asset poor women donвЂ™t have the means or opportunities to do so, they have bigger problems to care about. And much like everything that essentially belongs to the privileged, it is heavily marketed as the ideal way of life, itвЂ™s aspirational. Unprivileged people have historically struggled in an essentially proto-capitalist society, where we trade work for literally anything, enough to not give a fuck about arbitrary вЂњrolesвЂќ that their вЂњsocietyвЂќ (the people in power) deemed correct to follow. There was never the case for poor people to вЂњneed feminismвЂќ in order to, idk, live(?), because patriarchy is something that is catered toward privileged people.

THE WATER MARGIN 1972 LU ZHISEN MOVIE

The Lu-Lin story was manifested on film in a Hong Kong movie in the late 1990s.I wouldnвЂ™t even say that being вЂњa feministвЂќ is a white people thing, itвЂ™s a privileged people thing, period. Lu Qian and the prison commander were killed after a vicious fight with Lin Chong when Lin caught them trying to set fire to the storage field in his charge. Gao sent Lu Qian to bribe the prison commander of the prison where Lin was held captive in exile to finish off Lin. Even when Lin Chong was in exile, Gao Qiu did not want to let him off as Lin had offended him and his foster son. Later, Lin Chong was framed with attempting to assassinate Gao Qiu by bringing a weapon into the White Tiger Hall and sentenced to exile. When he went back to find Lu Qian, the latter was gone. Lin later found out about the incident and went to his wife's rescue, and managed to chase Gao Yanei away. Meanwhile, Gao Yanei, Gao Qiu's foster son, seized the opportunity to dishonour Lin's wife by trying to rape her.

He diverted Lin Chong's attention away from his wife by asking Lin out for drinks with him. Lu was not a trustworthy person and he had repaid Lin Chong's kindness with evil twice. Lu was a friend of Lin Chong's and he also served as an official to the Song Dynasty.

Lu Qian is a character in the epic tale, the ''Water Margin''.

The water margin 1972 lu zhisen